- BRUCE SPRINGSTEEN GUITAR RIG HOW TO
- BRUCE SPRINGSTEEN GUITAR RIG FULL
- BRUCE SPRINGSTEEN GUITAR RIG PRO
For their work on A Deeper Understanding, The War on Drugs won the 2018 Grammy Award for Best Rock Album.
BRUCE SPRINGSTEEN GUITAR RIG FULL
The album’s music was full of moody echoes and cascading pianos, blissed-out landscapes and expansive layers of synth, pristine vocals, and meteoric guitars if anything, it felt like the perfect expression of everything he’d learned to date. That's what I did for ‘I Don’t Live Here Anymore.’ For other songs it’s different-sometimes the voice memo is all you need before going into the studio.” When The War on Drugs released the robust A Deeper Understanding in 2017, the album cover showed Granduciel looking up from a small, lamplit piano in an otherwise dark studio a guitar and a tape machine can barely be made out in the background. “Maybe it’s just something that's just a couple chords, and maybe I’ll make a loop with the keyboard, loop it across the grid so I have a vibe going.
BRUCE SPRINGSTEEN GUITAR RIG PRO
I started to get more into sound experiments, like recording experiments and drones, tape speeds, sampling with digital samples and then recording it back onto tape.”Įventually, he began to explore the digital side of production, embracing the industry-standard music software Pro Tools, explaining that many of his songs start with a simple loop over a Pro Tools drum machine. “I bought the Tascam 16-track one-inch tape machine, and that kind of opened my eyes to a whole new way of recording. “When I signed with Secretly Canadian, I think I got $3,000 for my first record,” he explained.
While crafting his earlier records, Granduciel relied on home recording and mixing tools including the Boss BR-8 Digital Recording Studio and later, a Tascam tape machine to capture his sound.
In the hushed acoustic guitars of songs such as “ Living Proof” and “ Rings Around My Father’s Eyes,” Granduciel’s tender touch is rendered with incredible clarity among the neon-shaded synths, motoric beats, and colossal lyricism of tracks including “ I Don’t Wanna Wait” and the hypnotic “ Victim,” the band plays with a renewed intensity and aggression.Ī known gear-head and obsessive technician, Adam Granduciel is one of the most respected rock musicians on the scene today, and one of the most knowledgeable when it comes to DIY recording, since he essentially started from scratch and worked his way up to arena rock. The title track, filled to the brim with sparkling keyboard riffs and crisp guitar layers, is a master class in how great studio work can corral a humble set of melodic ideas into a massive-sounding, arena-ready banger. With I Don’t Live Here Anymore, Granduciel has reached even greater levels of restraint and technical precision, and has explored new paradigms of recording and collaboration.
BRUCE SPRINGSTEEN GUITAR RIG HOW TO
In a way, they were-Granduciel used those early albums to figure out how to bring his musical fantasies to life. The album is 10 tracks full of epic grooves and shimmering reverb, so precise and focused that they almost seemed like they were constructed in a laboratory. Three years later, on the band's 2014 breakout LP Lost in the Dream, he went full-on heartland darkness, creating one of the best-sounding guitar records in recent memory. In 2008’s Wagonwheel Blues and 2011’s Slave Ambient, Granduciel experimented with drones and loops, and distinguished himself among a sea of indie rockers by figuring out how to make his rollicking, guitar-steeped tunes sound humongous.
0 kommentar(er)
